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Part of the Series: Oya's Forgotten King

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Black Community of New Orleans

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This entry is part 14 of 15 in the series Oya's Forgotten King

The 1930s continued to unfurl across Louisiana settling into every street and every porch and every breath taken beneath its heavy sky, the Black community of New Orleans had begun to grow in ways that felt both miraculous and inevitable. Despite the cruelty of segregation, despite the past weight of Jim Crow pressing down like a boot on the neck, despite the Great Depression stripping wealth from white families and tightening its grip on the nation, my people, the descendants of my homeland, found ways to thrive. They built, they created, they endured, and they did so with a resilience that reminded me of the Makhosi’s fire.

As I began to involve myself more deeply with the community that I had spent decades watching from the margins, offering protection in the shadows, redistributing stolen wealth without ever revealing my hand. The events of 1930s demanded more of me. They demanded presence. They demanded investment. They demanded that I step out of the role of silent guardian and into the role of active participant.

So, I did.

I opened businesses in the Black neighborhoods of New Orleans, small shops, cafés, repair stores, and community spaces, each one staffed and run by my brothers and sisters, who knew me only as good ole Calvin O’Ray, the quiet man with the steady smile and the deep pockets. They did not know the truth of me, nor did they need to. What mattered was that the businesses belonged to them, that the money flowed into their homes, that the opportunities lifted their children, that the community grew stronger with each passing year.

The Great Depression hit hard, and racial segregation limited Black residents’ access to well‑paying jobs. In neighborhoods like Melpomene in Central City, many Black families worked in low‑wage, unorganized labor, railyard jobs, domestic service, small‑scale trades. Women carried entire households on their backs, working as dressmakers, cooks, and laundresses, stretching every coin until it screamed. Racial covenants, redlining, and “urban renewal” policies restricted homeownership and economic mobility, boxing Black families into neighborhoods that white officials deemed “acceptable.”

Yet, despite those limitations, Black music, cuisine, and spiritual traditions became the beating heart of Louisiana’s identity. Black‑owned businesses catered to Black customers, creating entire ecosystems of commerce that avoided white‑owned competitors. Institutions like Dooky Chase’s Restaurant, opened in 1939, became culinary landmarks and quiet sanctuaries for civil rights planning, hosting activists and leaders in a segregated era. Black education began to rise as well; schools expanding, teachers organizing, children learning with a hunger that reminded me of the young initiates of Aru‑Odan.

I am proud, deeply, fiercely proud, that I contributed to the funding and investment of those schools, those teachers, those children. I poured money into their futures the way one pours water into parched soil, watching as the seeds of possibility took root and grew. Though my brothers and sisters fought against segregation with every breath, neighborhoods like Melpomene saw families building homes and businesses as acts of defiance, as declarations of economic independence, as proof that even in the harshest conditions, Black life could flourish.

It was a time I look back on with fondness; a time when I felt connected to something larger than myself, something living, something communal, something that reminded me of the village I had lost centuries ago.

I still visited Mama Cleo during that time as the 30’s passed on into the 40’s and so forth. She had continued to grow old, her hair silvering around the edges, her hands starting to wrinkle, her voice softer but no less commanding. Yet she still allowed me into her shop, still brewed her teas, still read her bones, still spoke to me as though I were simply another man seeking guidance rather than a creature who walked between life and death. Her presence grounded me. Her wisdom steadied me. Her acceptance soothed the ache that never truly left my chest.

More and more of Nalo’s descendants began to appear, drifting out of the woodwork from all corners of the South, carrying his blood without knowing the weight of it. I kept my distance from them all. What would have been the point of lingering near those cursed by a legacy they never chose? A few of them lived decent lives, but ultimately their stories ended in devastation; accidents, illnesses, violence, misfortune that clung to them like a second skin. Only a handful lived ordinary lives without incident, and even those were rare.

One evening, when I brought this up to Mama Cleo, she listened quietly, her eyes narrowing with the kind of knowing that came from decades of communion with spirits.

She told me it was due to the protection of the mothers’ bloodlines. The women who had carried Nalo’s children, who had sought protection from the Orisha and the old ways, who had known instinctively that something was wrong with the blood they bore. The Makhosi may have been angry, but they were fair. The mothers had done nothing wrong, nor had they willingly laid down with Nalo. Those who followed the Orisha, who honored the ancestors, who kept the old traditions alive, had shielded their children from the worst of the curse. The Orisha covered them, and so the Makhosi overlooked them, setting their sights instead on those without protection.

Mama Cleo explained that curses sometimes skip a generation or two, lying dormant like embers beneath ash, waiting for the right moment to ignite. But ultimately, she said, those of the blood would have to answer the debt Nalo had created; a debt carved into the fabric of their lineage, a debt that could not be erased by time or distance.

And because of the slave trade, because of forced breeding, because of the brutal mixing of bloodlines, one never truly knew whose blood one carried. In those days, it was easier and safer, to claim every Black man and woman as your cousin and keep it moving, acknowledging the shared lineage without digging too deeply into its origins.

Such was the way of the times. Such was the way of survival. Such was the way of blood.

    Oya's Forgotten King

    Louisiana, 1930 Harlem, 1970’s

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