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Part of the Series: Oya's Forgotten King

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Aru‑Odan, the Grove of Kings

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This entry is part 2 of 2 in the series Oya's Forgotten King

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I was born in Aru‑Odan, a village cradled between the ancestral grove and the great river that fed our lands. In the 18th century, when foreign ships began to stain the horizon and whispers of capture drifted through the region like smoke, Aru‑Odan stood as a place of balance. It neither a kingdom nor a mere settlement, but a village whose influence reached far beyond its borders.

Our wealth was not measured in coins but in fertile soil, skilled hunters, and alliances my father forged with patience and wisdom. He was Chief Oba’Rai, a man whose presence could quiet storms and whose diplomacy kept our people safe in a world growing increasingly dangerous.

My father was a bridge between eras; honoring the old ways while navigating the new realities of trade, negotiation, and the shifting politics of neighboring villages. He carried tradition in one hand and strategy in the other. Under his leadership, Aru‑Odan prospered, respected by allies and envied by rivals.

I was his eldest son. And in his eyes, I was the future he had prayed for.

He never hid his pride in me. He never softened it. He never apologized for it.

I was the hunter who never returned empty‑handed, the boy who listened more than he spoke, the child who carried the weight of expectation with quiet shoulders. The elders said I moved like the ancestors walked beside me. My father believed it. The village believed it. And I, being young, eager, and full of love, believed it too.

But favoritism is a quiet poison. It does not kill quickly. It corrodes slowly.

My brother, Nalo, grew in the shadow of that pride.

I did not see it then. I see it clearly now.

When we were children, he was my closest companion. We ran through the grove together, climbed the same trees, shared the same mat during storms. I saw our late mother’s face in his eyes; the softness, the warmth, the way she used to hum when she braided our hair. Loving him felt like loving her.

Never once did I imagine hatred could grow in a heart I cherished so deeply.

But there were differences between us; differences I ignored because love makes the blind comfortable.

I was the hunter. Nalo was not.

I was the one the elders praised. Nalo was not.

I was the one the villagers believed the ancestors had blessed. Nalo was not.

My father’s gaze lingered on me with pride. On Nalo, it lingered with disappointment.

He never said it aloud, but children do not need words to understand when they are not enough.

Looking back, I can see the moments where the rift began. Where small things, quiet things that did not mean much at the time steadily grew until their weight became too much to hold. The way Nalo’s smile dimmed when the elders placed their hands on my shoulders. The way he stood slightly behind me when visitors arrived. The way he watched my father’s approval as if it were a fire he could never warm himself beside.

I did not see it then. I did not want to see it.

To me, he was my brother. My friend. My blood.

I would have done anything for him.

But love is not always enough to silence envy. And envy, when fed by neglect, grows teeth.

Aru‑Odan thrived. My father ruled with grace. I hunted with pride. Nalo walked in my shadow.

And somewhere in that shadow, something dark began to take root; something that would one day lead him to betray me, to sell me to foreign men whose ships waited like hungry beasts along the coast, to tear apart the bond I believed unbreakable.

But in those early days, before the storm, before the chains, before the death that remade me we were simply two brothers running through the grove, unaware of the future waiting to devour us.

I often wonder if things might have been different had I seen the truth sooner. Had I noticed the cracks. Had I reached for him more often. Had my father spoken to him with the same warmth he gave me.

Even now, as I tell you this tale, I still hold in this dead heart nothing but love for Nalo. How could I not? He was my younger brother. My nwanne nwoke nta. My little shadow. My first friend. My last memory of innocence.

People assume betrayal must come from malice, but Nalo was not a malicious soul. He was kind. Gentle. A man filled with wonder and creation. His hands were meant for shaping clay, carving wood, weaving quilts that told stories. His mind was meant for diplomacy, for soft words and careful listening. He was not meant for struggle nor the life of a warrior. And I, foolish, blind, proud, believed such a thing was fine.

I was meant to be king. My brother need not strive for something not of his nature. I would protect him. I would guide him. I would shield him from the harshness of the world just as I would shield our village.

But love can blind even the sharpest hunter.

In my blindness, I overlooked how others in Aru‑Odan saw Nalo.

We were not a warlike people, but there were unspoken expectations woven into the fabric of our lives. Men were trained to fight and hunt. Women tended to the children, the harvest, and the home. My father was wise, fair, and diplomatic as he was still held to these traditions. He expected his sons to be warriors. Hunters. Men whose hands and muscles were roughened by the ida, the shield, the bow.

I fit that mold perfectly. Nalo did not.

He preferred sculpting to sparring. Quilting to wrestling. Listening to arguing. Peace to conflict.

In another era perhaps this modern 20th‑century world I now walk through Nalo would have been celebrated as a statesman. A diplomat. A man of intellect and empathy. But in the 18th century, in a village where strength was the measure of a man’s worth, Nalo’s gentleness was seen as weakness.

A weakness that villagers whispered about. A weakness that elders frowned upon. A weakness that, to their eyes, disgraced our father.

My father never forbade Nalo’s art, but he did not understand it. He did not value it. He wanted sons who could stand beside him as symbols of strength and wisdom. I was that symbol. Nalo was not.

And I, to my shame, allowed myself to be blind to the consequences.

I thought my love was enough. I thought my protection was enough. I thought my brother’s heart was unshakeable.

But hearts crack quietly. And envy grows in silence.

Looking back now, centuries later, I can see the truth with painful clarity. I can see how Nalo shrank beneath the weight of expectations he never asked for. I can see how every praise given to me became a wound carved into him. I can see how every disappointed glance from our father became a stone he carried alone.

Had I let go of my own delusions, had I looked beyond my pride, beyond my role, beyond the destiny carved for me, perhaps I would have seen what was on the horizon.

Perhaps I would have seen the storm long before it broke.

Perhaps I would have seen the betrayal forming in the shadows of my brother’s heart.

But memoirs are not written to rewrite the past. They are written to understand it.

And this, Aru‑Odan, my father, my brother, is where my story truly begins.

    Oya's Forgotten King

    Prologue

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